From the Byzantine`Echos` to the Ottoman`Makam`
Transkript
From the Byzantine`Echos` to the Ottoman`Makam`
Greek Community & Axion Estin Foundation The Axion Estin Foundation in association with the The Ph.D. / D.M.A. Programs in Music of the Graduate Center, CUNY p r e s e n t From the Byzantine ‘Echos’ to the Ottoman ‘Makam’ Children Choir of the William Spyropoulos School of Saint Nicholas Flushing (2013-2014 School Year). From left: Dr. Christos P. Ioannides, Director of the Center for Byzantine and Modern Greek Studies Queens College, CUNY; His Eminence Archbishop Demetrios of the Greek Orthodox Archdiocese of America; Dr. Stephen Blum of the Graduate Center; Dr. Helen C. Evans, Mary and Michael Jaharis Curator for Byzantine Art, the Department of Medieval Art and The Cloisters of the Metropolitan Museum of Art; Dr. Vicki Pappas of the National Forum of Greek Orthodox Church Musicians. Dr. Grammenos Karanos, Hellenic College Holy Cross Greek Orthodox School of Theology and Nicholas Kyriakos of the Rev. Peter N. Kyriakos Endowment Fund. f e a t u r i n g Eleftherios Eleftheriadis & Grammenos Karanos DÜNYA ensemble consisting of Mehmet Ali Sanlikol, Robert Labaree, and George Lernis Children Choir of the William Spyropoulos School Monday December 9, 2013 • 7:30 pm From left (seated): Rev. Fr. Paul C. Palesty, Presiding Priest, St. Nicholas Shrine Church, Flushing, New York; Dr. Nicholas Maliaras, Professor and Chair, Department of Music, University of Athens, Greece, and Director of the George Maliaras Private School, Alimos, Athens, Greece; Mrs. Athena Kromidas, Principal, The William Spyropoulos Greek-American School of St. Nicholas, Flushing, New York; Mr. Larry Hotzoglou (standing, left), Parish Council, St. Nicholas Shrine Church, Flushing, New York; Mr. Stephen Cherpelis (standing, right), Archon Dikaiophylax and great benefactor of St. Nicholas Shrine Church, Flushing, New York. Baisley Powell Elebash Recital Hall 365 Fifth Avenue New York, NY The Mostly Orthros Festival is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. T he original idea of juxtaposing Byzantine Chant and Ottoman Classical Music was first realized at the Metropolitan Museum of Art on March 24, 2012. This was the Christos Chalkias Chant and Oud Performance featured in the magnificent Vélez Blanco Patio as part of the program “Byzantium and Islam: A Festival for All Ages.” This concert idea was developed further to involve additional musicians. From the Byzantine ‘Echos’ to the Ottoman ‘Makam’ was presented on December 8, 2012 in association with ArtsWestchester (formerly known as the Westchester Arts Council). Today, exactly a year and one day later, the same concert idea will be revisited inside the beautiful Baisley Powell Elebash Recital Hall. All of the above concerts would not have been possible without the support of the New York State Council on the Arts, as well as the guidance of our distinct network of academics, particularly Professor Stephen Blum of the Graduate Center. We would also like to take this opportunity to acknowledge our extraordinarily fruitful collaboration with the Ph.D. / D.M.A. Programs in Music of the Graduate Center. Finally, we extend our gratitude to Professor David Olan and to the Graduate Center doctoral candidates in Music for their expert assistance over multiple events (see pictures next page). We dedicate tonight’s concert to the memory of Constantinos Bakakos (January 13, 2013). Dino was one the earliest supporters of Axion Estin Foundation and the proud owner of “Lafayette Bar and Grill.” It was a quintessential New York musical oasis where Greek, Jewish, Armenian, Kurdish, Arabic, and Turkish musicians celebrated their musical connectivity in unforgettable ways. Dino is pictured below in his characteristic black suit and big smile between Maria and Athina. They are surrounded by board members and friends of the Axion Estin Foundation. Ph.D. / D.M.A. Programs in Music, GC and Axion Estin Foundation Stephen Blum (Prof., GC, Music) receives the first copy of AXION ESTIN’s publication “The Great Theory of Music” in Proshansky Auditorium, January, 2010 We hope you enjoy tonight’s performance! Please stay tuned as we continue to explore together more Byzantine modes and Ottoman Makam! Gratefully, Angelo Lampousis, GC Alumnus, on behalf of the Axion Estin Foundation December 9, 2013 Baritone Constantinos Yiannoudes, GC alumnus (Music), opens Second AXION ESTIN international conference, Elebash Recital Hall, January 2008 Ozan Aksoy (right), GC doctoral candidate in Music, AXION ESTIN concert in Proshansky Auditorium, January, 2010 Charles Turner (second from right), GC doctoral candidate in Music Ersi Ioannidou, GC doctoral candidate in Music, Presentation at Second AXION ESTIN international conference, Elebash Recital Hall, January 2008 Cover Image: Muslim and Christian oud and lute players. From the Galacian- Portuguese songbook Cantigas de Santa Maria, folio 125r, latter half of the thirteenth century CE. © Patrimonio Nacional Madrid, Spain T he original idea of juxtaposing Byzantine Chant and Ottoman Classical Music was first realized at the Metropolitan Museum of Art on March 24, 2012. This was the Christos Chalkias Chant and Oud Performance featured in the magnificent Vélez Blanco Patio as part of the program “Byzantium and Islam: A Festival for All Ages.” This concert idea was developed further to involve additional musicians. From the Byzantine ‘Echos’ to the Ottoman ‘Makam’ was presented on December 8, 2012 in association with ArtsWestchester (formerly known as the Westchester Arts Council). Today, exactly a year and one day later, the same concert idea will be revisited inside the beautiful Baisley Powell Elebash Recital Hall. All of the above concerts would not have been possible without the support of the New York State Council on the Arts, as well as the guidance of our distinct network of academics, particularly Professor Stephen Blum of the Graduate Center. We would also like to take this opportunity to acknowledge our extraordinarily fruitful collaboration with the Ph.D. / D.M.A. Programs in Music of the Graduate Center. Finally, we extend our gratitude to Professor David Olan and to the Graduate Center doctoral candidates in Music for their expert assistance over multiple events (see pictures next page). We dedicate tonight’s concert to the memory of Constantinos Bakakos (January 13, 2013). Dino was one the earliest supporters of Axion Estin Foundation and the proud owner of “Lafayette Bar and Grill.” It was a quintessential New York musical oasis where Greek, Jewish, Armenian, Kurdish, Arabic, and Turkish musicians celebrated their musical connectivity in unforgettable ways. Dino is pictured below in his characteristic black suit and big smile between Maria and Athina. They are surrounded by board members and friends of the Axion Estin Foundation. Ph.D. / D.M.A. Programs in Music, GC and Axion Estin Foundation Stephen Blum (Prof., GC, Music) receives the first copy of AXION ESTIN’s publication “The Great Theory of Music” in Proshansky Auditorium, January, 2010 We hope you enjoy tonight’s performance! Please stay tuned as we continue to explore together more Byzantine modes and Ottoman Makam! Gratefully, Angelo Lampousis, GC Alumnus, on behalf of the Axion Estin Foundation December 9, 2013 Baritone Constantinos Yiannoudes, GC alumnus (Music), opens Second AXION ESTIN international conference, Elebash Recital Hall, January 2008 Ozan Aksoy (right), GC doctoral candidate in Music, AXION ESTIN concert in Proshansky Auditorium, January, 2010 Charles Turner (second from right), GC doctoral candidate in Music Ersi Ioannidou, GC doctoral candidate in Music, Presentation at Second AXION ESTIN international conference, Elebash Recital Hall, January 2008 Cover Image: Muslim and Christian oud and lute players. From the Galacian- Portuguese songbook Cantigas de Santa Maria, folio 125r, latter half of the thirteenth century CE. © Patrimonio Nacional Madrid, Spain Greek Community & Axion Estin Foundation The Axion Estin Foundation in association with the The Ph.D. / D.M.A. Programs in Music of the Graduate Center, CUNY p r e s e n t From the Byzantine ‘Echos’ to the Ottoman ‘Makam’ Children Choir of the William Spyropoulos School of Saint Nicholas Flushing (2013-2014 School Year). From left: Dr. Christos P. Ioannides, Director of the Center for Byzantine and Modern Greek Studies Queens College, CUNY; His Eminence Archbishop Demetrios of the Greek Orthodox Archdiocese of America; Dr. Stephen Blum of the Graduate Center; Dr. Helen C. Evans, Mary and Michael Jaharis Curator for Byzantine Art, the Department of Medieval Art and The Cloisters of the Metropolitan Museum of Art; Dr. Vicki Pappas of the National Forum of Greek Orthodox Church Musicians. Dr. Grammenos Karanos, Hellenic College Holy Cross Greek Orthodox School of Theology and Nicholas Kyriakos of the Rev. Peter N. Kyriakos Endowment Fund. f e a t u r i n g Eleftherios Eleftheriadis & Grammenos Karanos DÜNYA ensemble consisting of Mehmet Ali Sanlikol, Robert Labaree, and George Lernis Children Choir of the William Spyropoulos School Monday December 9, 2013 • 7:30 pm From left (seated): Rev. Fr. Paul C. Palesty, Presiding Priest, St. Nicholas Shrine Church, Flushing, New York; Dr. Nicholas Maliaras, Professor and Chair, Department of Music, University of Athens, Greece, and Director of the George Maliaras Private School, Alimos, Athens, Greece; Mrs. Athena Kromidas, Principal, The William Spyropoulos Greek-American School of St. Nicholas, Flushing, New York; Mr. Larry Hotzoglou (standing, left), Parish Council, St. Nicholas Shrine Church, Flushing, New York; Mr. Stephen Cherpelis (standing, right), Archon Dikaiophylax and great benefactor of St. Nicholas Shrine Church, Flushing, New York. Baisley Powell Elebash Recital Hall 365 Fifth Avenue New York, NY The Mostly Orthros Festival is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
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